Rodney Graham. Black Cottonwood Tree, Spanish Banks Tree , 2012; transmounted, monochromatic C-print; 91 3/8 x 73 3/8 in. Courtesy of 303 Gallery, New York.

Rodney Graham. Black Cottonwood Tree, Spanish Banks Tree, 2012; transmounted, monochromatic C-print; 91 3/8 x 73 3/8 in. Courtesy of 303 Gallery, New York.

Rodney Graham. Black Cottonwood Tree, Spanish Banks Tree , 2012; transmounted, monochromatic C-print; 91 3/8 x 73 3/8 in. Courtesy of 303 Gallery, New York.

Rodney Graham. Black Cottonwood Tree, Spanish Banks Tree, 2012; transmounted, monochromatic C-print; 91 3/8 x 73 3/8 in. Courtesy of 303 Gallery, New York.

Anicka Yi. Immigrant Caucus , 2017; powder-coated steel and expanded steel mesh, stainless-steel insecticide sprayer with brass fittings, ultrasonic diffuser, fragrance; dimensions variable; installation view, School of Chairs, 2017. Artwork courte

Anicka Yi. Immigrant Caucus, 2017; powder-coated steel and expanded steel mesh, stainless-steel insecticide sprayer with brass fittings, ultrasonic diffuser, fragrance; dimensions variable; installation view, School of Chairs, 2017. Artwork courtesy of the Artist and 47 Canal.

Anicka Yi. Immigrant Caucus , 2017; powder-coated steel and expanded steel mesh, stainless-steel insecticide sprayer with brass fittings, ultrasonic diffuser, fragrance; dimensions variable; installation view, School of Chairs, 2017. Artwork courte

Anicka Yi. Immigrant Caucus, 2017; powder-coated steel and expanded steel mesh, stainless-steel insecticide sprayer with brass fittings, ultrasonic diffuser, fragrance; dimensions variable; installation view, School of Chairs, 2017. Artwork courtesy of the Artist and 47 Canal.

Forrest Bess, Untitled , 1959. Oil on canvas. Private collection, San Francisco.

Forrest Bess, Untitled, 1959. Oil on canvas. Private collection, San Francisco.

Forrest Bess, Untitled , 1959. Oil on canvas. Private collection, San Francisco.

Forrest Bess, Untitled, 1959. Oil on canvas. Private collection, San Francisco.

School of Chairs , Exhibition view.

School of Chairs, Exhibition view.

Los Jaichackers, Untitled (Accordion), 2013-2018. Courtesy of Eamon Ore-Giron and Julio Cesar Morales.

Los Jaichackers, Untitled (Accordion), 2013-2018. Courtesy of Eamon Ore-Giron and Julio Cesar Morales.

David Ireland, Cabinet with Partially Opened Door with Painting by Roy Deforest , 1978-1988. Painted metal, acrylic painting on wood, glass. Courtesy of the Santa Barbara Museum Of Art.

David Ireland, Cabinet with Partially Opened Door with Painting by Roy Deforest, 1978-1988. Painted metal, acrylic painting on wood, glass. Courtesy of the Santa Barbara Museum Of Art.

David Ireland, Cabinet with Partially Opened Door with Painting by Roy Deforest , 1978-1988. Painted metal, acrylic painting on wood, glass. Courtesy of the Santa Barbara Museum Of Art.

David Ireland, Cabinet with Partially Opened Door with Painting by Roy Deforest, 1978-1988. Painted metal, acrylic painting on wood, glass. Courtesy of the Santa Barbara Museum Of Art.

School of Chairs , Exhibition view.

School of Chairs, Exhibition view.

David Ireland, Three-legged Chair , 1978. Wood chair, journal and metal chain.

David Ireland, Three-legged Chair, 1978. Wood chair, journal and metal chain.

Feminist Land Art Retreat, No Man's Land , 2017. Single channel video with sound, 11:00 minutes. Courtesy of the artists.

Feminist Land Art Retreat, No Man's Land, 2017. Single channel video with sound, 11:00 minutes. Courtesy of the artists.

K.r.m. Mooney. Circadian Interface III, 2017; pneumatic actuator, steel tray, grounding wire, inset glass, silver, steel, organic compounds, water; 42 x 22 x 6 in.; installation view, School of Chairs, 2017. Artwork courtesy of the Artist and Altm

K.r.m. Mooney. Circadian Interface III, 2017; pneumatic actuator, steel tray, grounding wire, inset glass, silver, steel, organic compounds, water; 42 x 22 x 6 in.; installation view, School of Chairs, 2017. Artwork courtesy of the Artist and Altman Siegel, San Francisco.

K.r.m. Mooney. Circadian Interface III , 2017; pneumatic actuator, steel tray, grounding wire, inset glass, silver, steel, organic compounds, water; 42 x 22 x 6 in.2017. Artwork courtesy of the Artist and Altman Siegel, San Francisco.

K.r.m. Mooney. Circadian Interface III, 2017; pneumatic actuator, steel tray, grounding wire, inset glass, silver, steel, organic compounds, water; 42 x 22 x 6 in.2017. Artwork courtesy of the Artist and Altman Siegel, San Francisco.

Jason Dodge. The Doctors Are Sleeping , undated; pillows that have been slept on by doctors; dimensions variable; installation view, School of Chairs, 2017. Artwork courtesy of the artist and Casey Kaplan, New York.

Jason Dodge. The Doctors Are Sleeping, undated; pillows that have been slept on by doctors; dimensions variable; installation view, School of Chairs, 2017. Artwork courtesy of the artist and Casey Kaplan, New York.

Jo Hanson, Art that's Sweeping the City , (Volume 1-103), 1970-1998. Mixed media with two wooden cabinets. Courtesy of the Fresno Art Museum.

Jo Hanson, Art that's Sweeping the City, (Volume 1-103), 1970-1998. Mixed media with two wooden cabinets. Courtesy of the Fresno Art Museum.

Jo Hanson, Art that's Sweeping the City , (Volume 1-103), 1970-1998. Mixed media with two wooden cabinets. Courtesy of the Fresno Art Museum.

Jo Hanson, Art that's Sweeping the City, (Volume 1-103), 1970-1998. Mixed media with two wooden cabinets. Courtesy of the Fresno Art Museum.

Jo Hanson, Art that's Sweeping the City , (Volume 1-103), 1970-1998. Mixed media with two wooden cabinets. Courtesy of the Fresno Art Museum.

Jo Hanson, Art that's Sweeping the City, (Volume 1-103), 1970-1998. Mixed media with two wooden cabinets. Courtesy of the Fresno Art Museum.

Jo Hanson, Art that's Sweeping the City , (Volume 1-103), 1970-1998. Mixed media with two wooden cabinets. Courtesy of the Fresno Art Museum.

Jo Hanson, Art that's Sweeping the City, (Volume 1-103), 1970-1998. Mixed media with two wooden cabinets. Courtesy of the Fresno Art Museum.

Jo Hanson, Art that's Sweeping the City , (Volume 1-103), 1970-1998. Mixed media with two wooden cabinets. Courtesy of the Fresno Art Museum.

Jo Hanson, Art that's Sweeping the City, (Volume 1-103), 1970-1998. Mixed media with two wooden cabinets. Courtesy of the Fresno Art Museum.

School of Chairs , Exhibition view (Feminist Land Art Retreat, David Ireland, Jason Dodge).

School of Chairs, Exhibition view (Feminist Land Art Retreat, David Ireland, Jason Dodge).

Feminist Land Art Retreat, Gina , 2018. Digital print on poly-duck fabric. Courtesy of the artists.

Feminist Land Art Retreat, Gina, 2018. Digital print on poly-duck fabric. Courtesy of the artists.

Feminist Land Art Retreat, Gina , 2018. Digital print on poly-duck fabric. Courtesy of the artists.

Feminist Land Art Retreat, Gina, 2018. Digital print on poly-duck fabric. Courtesy of the artists.

Los Jaichackers, Subterranean Homesick Cumbia (Remix), 2013-2018. Single channel HD video, stereo sound, 17:11 minutes. Courtesy of Eamon Ore-Giron and Julio Cesar Morales.

Los Jaichackers, Subterranean Homesick Cumbia (Remix), 2013-2018. Single channel HD video, stereo sound, 17:11 minutes. Courtesy of Eamon Ore-Giron and Julio Cesar Morales.

Rodney Graham. Black Cottonwood Tree, Spanish Banks Tree , 2012; transmounted, monochromatic C-print; 91 3/8 x 73 3/8 in. Courtesy of 303 Gallery, New York.
Rodney Graham. Black Cottonwood Tree, Spanish Banks Tree , 2012; transmounted, monochromatic C-print; 91 3/8 x 73 3/8 in. Courtesy of 303 Gallery, New York.
Anicka Yi. Immigrant Caucus , 2017; powder-coated steel and expanded steel mesh, stainless-steel insecticide sprayer with brass fittings, ultrasonic diffuser, fragrance; dimensions variable; installation view, School of Chairs, 2017. Artwork courte
Anicka Yi. Immigrant Caucus , 2017; powder-coated steel and expanded steel mesh, stainless-steel insecticide sprayer with brass fittings, ultrasonic diffuser, fragrance; dimensions variable; installation view, School of Chairs, 2017. Artwork courte
Forrest Bess, Untitled , 1959. Oil on canvas. Private collection, San Francisco.
Forrest Bess, Untitled , 1959. Oil on canvas. Private collection, San Francisco.
School of Chairs , Exhibition view.
Los Jaichackers, Untitled (Accordion), 2013-2018. Courtesy of Eamon Ore-Giron and Julio Cesar Morales.
David Ireland, Cabinet with Partially Opened Door with Painting by Roy Deforest , 1978-1988. Painted metal, acrylic painting on wood, glass. Courtesy of the Santa Barbara Museum Of Art.
David Ireland, Cabinet with Partially Opened Door with Painting by Roy Deforest , 1978-1988. Painted metal, acrylic painting on wood, glass. Courtesy of the Santa Barbara Museum Of Art.
School of Chairs , Exhibition view.
David Ireland, Three-legged Chair , 1978. Wood chair, journal and metal chain.
Feminist Land Art Retreat, No Man's Land , 2017. Single channel video with sound, 11:00 minutes. Courtesy of the artists.
K.r.m. Mooney. Circadian Interface III, 2017; pneumatic actuator, steel tray, grounding wire, inset glass, silver, steel, organic compounds, water; 42 x 22 x 6 in.; installation view, School of Chairs, 2017. Artwork courtesy of the Artist and Altm
K.r.m. Mooney. Circadian Interface III , 2017; pneumatic actuator, steel tray, grounding wire, inset glass, silver, steel, organic compounds, water; 42 x 22 x 6 in.2017. Artwork courtesy of the Artist and Altman Siegel, San Francisco.
Jason Dodge. The Doctors Are Sleeping , undated; pillows that have been slept on by doctors; dimensions variable; installation view, School of Chairs, 2017. Artwork courtesy of the artist and Casey Kaplan, New York.
Jo Hanson, Art that's Sweeping the City , (Volume 1-103), 1970-1998. Mixed media with two wooden cabinets. Courtesy of the Fresno Art Museum.
Jo Hanson, Art that's Sweeping the City , (Volume 1-103), 1970-1998. Mixed media with two wooden cabinets. Courtesy of the Fresno Art Museum.
Jo Hanson, Art that's Sweeping the City , (Volume 1-103), 1970-1998. Mixed media with two wooden cabinets. Courtesy of the Fresno Art Museum.
Jo Hanson, Art that's Sweeping the City , (Volume 1-103), 1970-1998. Mixed media with two wooden cabinets. Courtesy of the Fresno Art Museum.
Jo Hanson, Art that's Sweeping the City , (Volume 1-103), 1970-1998. Mixed media with two wooden cabinets. Courtesy of the Fresno Art Museum.
School of Chairs , Exhibition view (Feminist Land Art Retreat, David Ireland, Jason Dodge).
Feminist Land Art Retreat, Gina , 2018. Digital print on poly-duck fabric. Courtesy of the artists.
Feminist Land Art Retreat, Gina , 2018. Digital print on poly-duck fabric. Courtesy of the artists.
Los Jaichackers, Subterranean Homesick Cumbia (Remix), 2013-2018. Single channel HD video, stereo sound, 17:11 minutes. Courtesy of Eamon Ore-Giron and Julio Cesar Morales.

Rodney Graham. Black Cottonwood Tree, Spanish Banks Tree, 2012; transmounted, monochromatic C-print; 91 3/8 x 73 3/8 in. Courtesy of 303 Gallery, New York.

Rodney Graham. Black Cottonwood Tree, Spanish Banks Tree, 2012; transmounted, monochromatic C-print; 91 3/8 x 73 3/8 in. Courtesy of 303 Gallery, New York.

Anicka Yi. Immigrant Caucus, 2017; powder-coated steel and expanded steel mesh, stainless-steel insecticide sprayer with brass fittings, ultrasonic diffuser, fragrance; dimensions variable; installation view, School of Chairs, 2017. Artwork courtesy of the Artist and 47 Canal.

Anicka Yi. Immigrant Caucus, 2017; powder-coated steel and expanded steel mesh, stainless-steel insecticide sprayer with brass fittings, ultrasonic diffuser, fragrance; dimensions variable; installation view, School of Chairs, 2017. Artwork courtesy of the Artist and 47 Canal.

Forrest Bess, Untitled, 1959. Oil on canvas. Private collection, San Francisco.

Forrest Bess, Untitled, 1959. Oil on canvas. Private collection, San Francisco.

School of Chairs, Exhibition view.

Los Jaichackers, Untitled (Accordion), 2013-2018. Courtesy of Eamon Ore-Giron and Julio Cesar Morales.

David Ireland, Cabinet with Partially Opened Door with Painting by Roy Deforest, 1978-1988. Painted metal, acrylic painting on wood, glass. Courtesy of the Santa Barbara Museum Of Art.

David Ireland, Cabinet with Partially Opened Door with Painting by Roy Deforest, 1978-1988. Painted metal, acrylic painting on wood, glass. Courtesy of the Santa Barbara Museum Of Art.

School of Chairs, Exhibition view.

David Ireland, Three-legged Chair, 1978. Wood chair, journal and metal chain.

Feminist Land Art Retreat, No Man's Land, 2017. Single channel video with sound, 11:00 minutes. Courtesy of the artists.

K.r.m. Mooney. Circadian Interface III, 2017; pneumatic actuator, steel tray, grounding wire, inset glass, silver, steel, organic compounds, water; 42 x 22 x 6 in.; installation view, School of Chairs, 2017. Artwork courtesy of the Artist and Altman Siegel, San Francisco.

K.r.m. Mooney. Circadian Interface III, 2017; pneumatic actuator, steel tray, grounding wire, inset glass, silver, steel, organic compounds, water; 42 x 22 x 6 in.2017. Artwork courtesy of the Artist and Altman Siegel, San Francisco.

Jason Dodge. The Doctors Are Sleeping, undated; pillows that have been slept on by doctors; dimensions variable; installation view, School of Chairs, 2017. Artwork courtesy of the artist and Casey Kaplan, New York.

Jo Hanson, Art that's Sweeping the City, (Volume 1-103), 1970-1998. Mixed media with two wooden cabinets. Courtesy of the Fresno Art Museum.

Jo Hanson, Art that's Sweeping the City, (Volume 1-103), 1970-1998. Mixed media with two wooden cabinets. Courtesy of the Fresno Art Museum.

Jo Hanson, Art that's Sweeping the City, (Volume 1-103), 1970-1998. Mixed media with two wooden cabinets. Courtesy of the Fresno Art Museum.

Jo Hanson, Art that's Sweeping the City, (Volume 1-103), 1970-1998. Mixed media with two wooden cabinets. Courtesy of the Fresno Art Museum.

Jo Hanson, Art that's Sweeping the City, (Volume 1-103), 1970-1998. Mixed media with two wooden cabinets. Courtesy of the Fresno Art Museum.

School of Chairs, Exhibition view (Feminist Land Art Retreat, David Ireland, Jason Dodge).

Feminist Land Art Retreat, Gina, 2018. Digital print on poly-duck fabric. Courtesy of the artists.

Feminist Land Art Retreat, Gina, 2018. Digital print on poly-duck fabric. Courtesy of the artists.

Los Jaichackers, Subterranean Homesick Cumbia (Remix), 2013-2018. Single channel HD video, stereo sound, 17:11 minutes. Courtesy of Eamon Ore-Giron and Julio Cesar Morales.

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