David Ireland, No Title (Stage Set for Twelfth Night), 1950, Gouache on paper.
Exhibition View (Accordion Room).
Michael E. Smith, Untitled, 2017, Chair, Light. Courtesy of the artist and Andrew Kreps Gallery, New York.
Michael E. Smith, Untitled, 2017, Chair, Light. Courtesy of the artist and Andrew Kreps Gallery, New York.
Michael E. Smith, Untitled, 2017, Chair, Light. Courtesy of the artist and Andrew Kreps Gallery, New York.
Michael E. Smith, Untitled, 2017, Chair, Light. Courtesy of the artist and Andrew Kreps Gallery, New York.
Michael E. Smith, Untitled, 2017, Chair, Light. Courtesy of the artist and Andrew Kreps Gallery, New York.
Exhibition View
Courtesy of the artist and Andrew Kreps Gallery, New York.
Courtesy of the artist and Andrew Kreps Gallery, New York.
Courtesy of the artist and Andrew Kreps Gallery, New York.
Exhibition View (Upstairs Hallway).
Exhibition View (Upstairs Hallway).
Exhibition View (Front Parlor Room).
Michael E. Smith, Untitled, Vase. Courtesy of the artist and Andrew Kreps Gallery, New York.
Exhibition View (Front Parlor Room).
Exhibition View (Front Parlor Room).
David Ireland, Getting to Know as Many People as You Can, 1986-90; Metal table, cassette recorders, telephone answering machine, power strip, painted wood block.
Michael E. Smith, Untitled, 2017, Blanket. Courtesy of the artist and Andrew Kreps Gallery, New York.
Michael E. Smith, Untitled, 2017, Cooler, Lights. Courtesy of the artist and Andrew Kreps Gallery, New York.
Exhibition View (Bedroom).
Exhibition View (Guest Bedroom).
Michael E. Smith, Untitled, 2017, Childs sweatpants, shelf. Courtesy of the artist and Andrew Kreps Gallery, New York.
Exhibition View (Office).
Michael E. Smith, Untitled, 2017, Toy. Courtesy of the artist and Andrew Kreps Gallery, New York.
Exhibition view (Attic).
Michael E. Smith, Untitled, 2017, Diapers. Courtesy of the artist and Andrew Kreps Gallery, New York.
Michael E. Smith, Untitled, 2017, Fantasia, no audio. Courtesy of the artist and Andrew Kreps Gallery, New York.
David Ireland, Logical Form Study, 1950-53, Charcoal and graphite on paper.
David Ireland, No Title (Stage Set for Twelfth Night), 1950, Gouache on paper.
Exhibition View (Accordion Room).
Michael E. Smith, Untitled, 2017, Chair, Light. Courtesy of the artist and Andrew Kreps Gallery, New York.
Michael E. Smith, Untitled, 2017, Chair, Light. Courtesy of the artist and Andrew Kreps Gallery, New York.
Michael E. Smith, Untitled, 2017, Chair, Light. Courtesy of the artist and Andrew Kreps Gallery, New York.
Michael E. Smith, Untitled, 2017, Chair, Light. Courtesy of the artist and Andrew Kreps Gallery, New York.
Michael E. Smith, Untitled, 2017, Chair, Light. Courtesy of the artist and Andrew Kreps Gallery, New York.
Exhibition View
Courtesy of the artist and Andrew Kreps Gallery, New York.
Courtesy of the artist and Andrew Kreps Gallery, New York.
Courtesy of the artist and Andrew Kreps Gallery, New York.
Exhibition View (Upstairs Hallway).
Exhibition View (Upstairs Hallway).
Exhibition View (Front Parlor Room).
Michael E. Smith, Untitled, Vase. Courtesy of the artist and Andrew Kreps Gallery, New York.
Exhibition View (Front Parlor Room).
Exhibition View (Front Parlor Room).
David Ireland, Getting to Know as Many People as You Can, 1986-90; Metal table, cassette recorders, telephone answering machine, power strip, painted wood block.
Michael E. Smith, Untitled, 2017, Blanket. Courtesy of the artist and Andrew Kreps Gallery, New York.
Michael E. Smith, Untitled, 2017, Cooler, Lights. Courtesy of the artist and Andrew Kreps Gallery, New York.
Exhibition View (Bedroom).
Exhibition View (Guest Bedroom).
Michael E. Smith, Untitled, 2017, Childs sweatpants, shelf. Courtesy of the artist and Andrew Kreps Gallery, New York.
Exhibition View (Office).
Michael E. Smith, Untitled, 2017, Toy. Courtesy of the artist and Andrew Kreps Gallery, New York.
Exhibition view (Attic).
Michael E. Smith, Untitled, 2017, Diapers. Courtesy of the artist and Andrew Kreps Gallery, New York.
Michael E. Smith, Untitled, 2017, Fantasia, no audio. Courtesy of the artist and Andrew Kreps Gallery, New York.
David Ireland, Logical Form Study, 1950-53, Charcoal and graphite on paper.